Journal Articles

“Cueing Refrains in the Medieval Conductus.” Journal of the Royal Musical Association 143, no. 2 (2018): 273-324.

“A Medieval Patchwork Song: Poetry, Prayer and Music in a Thirteenth-Century Conductus.” Plainsong and Medieval Music 25, no. 2 (2016): 139-165. 

“‘Flower of The Lily’: Late-Medieval Religious and Heraldic Symbolism in Paris, Bibliothèque Nationale de France, MS français 146.” Early Music History 33 (2014): 1-60. 

“‘The Place of Dance in Human Life’: Perspectives on the Fieldwork and Dance Notation of Gertrude P. Kurath.” Ethnologies 30/1 Special issue: Dance in Canada (2008). 

Book Chapters

“‘Pax Gallie’: The Songs of Tours 927.” The Jeu d’Adam: MS Tours 927 and the Provenance of the Play, edited by Christophe Chaguinian. Early Drama, Art, and Music Monograph Series, 87-176. Kalamazoo: Medieval Institute Publications, 2017.


Review of Catherine A. Bradley and Karen Desmond, eds. The Montpellier Codex: The Final Fascicle: Contents, Contexts, Chronologies.  Studies in Medieval and Renaissance Music. Rochester, NY: The Boydell Press, 2018, The Medieval Review (2018).

Review of Margot Fassler, Music in the Medieval West. Series: Western Music in Context: A Norton History, Walter Frisch, ed. (New York: W. W. Norton & Company, 2013), College Music Symposium 54 (2014).

Other Writings

“Finding God in a Song: Religion, Klezmer, and Country.” Sightings, a publication of The Martin Marty Center for the Advanced Study of Religion. Edited by Myriam Renaud (July 25, 2013).  

“The Notation of Native American Dance: Systems of Dance Transcription and the Work of Gertrude P. Kurath.” In Edited by Elaine Keillor et al. Carleton University and Canadian Heritage.

“The Organization of Movement: Approaches to Dance Scholarship and the Study of Native American Dance.” Institute for Canadian Music Newsletter 3, no. 3 (2005), pp. 5-12.